Bebop Licks Though it lasted less than a decade, the bebop era has had a lasting influence on subsequent generations of jazz improvisers.players such as Charlie Parker, Dizzy Gillespie, Clifford Brown, Bud Powell, and others brought fresh levels of excitement to their extended solos, ushering in a new era of jazz improvisation. While many guitarists fall in love with the bebop sound, learning how to play in the bebop style can seem intimidating, but it doesn’t have to be.
By studying classic licks, and the concepts that are used to build those lines, you’ll be able to bring a bebop vibe to your own jazz solos. In this lesson, you’ll learn 10 bebop licks, as well as the important concepts behind each lick, so that you can build your vocabulary and expand your theory knowledge at the same time. Bebop Lick 1 - Charlie Parker The first bebop lick is from the songbook, and is one of the most popular jazz licks of all time. This lick is so famous that if you learn just one bebop lick, it’s this one. The lick is played over the first four bars of a, and features scale tones plus a few chromatic notes. These chromatic notes are known as blue notes (b3 and b5) and come from the blues scale, which gives the lick it’s bluesy vibe. Listen & Play.
Bebop Lick 2 - Dizzy Gillespie In this Dizzy Gillespie inspired lick, you’ll see a delayed resolution over the Imaj7 chord in the third bar of the phrase. The F7 chord (specifically F7b9), is played over the first beat of the third bar, before resolving to the Bbmaj7 chord on the second beat of that bar. As well, notice the Cm triad that outlines the first half of the first bar.
Bebop Licks Guitar Pdf Download. In this lesson you'll learn what the dominant bebop scale is, how it looks on the guitar and how you can use this scale in your. Download Your FREE 84-Page PDF. When you do, they’re a great way to cover more area on the fretboard in your guitar solos. 3 Dominant Bebop Scale Licks.
Though are mostly used in jazz to outline chords, swing and bebop era players often used the 1-3-5 triad to outline the underlying chord. When working on soloing over bebop changes, don’t forget to spend some time on triads, they’ll come in handy as you use them over bebop tunes. Listen & Play. Next Welcome Ii Nextasy Raritan. Bebop Lick 6 - ii V I Another short ii V I lick, this line has been played by countless jazz musicians over the year. Because of it’s popularity, it’s another must-know bebop lick to add to your soloing vocabulary. • The lick starts with a leading tone (B), before running up the iim7 arpeggio. • Then, the line ends with the same four-note pattern that you saw at the end of the Clifford Brown line.
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